BEST Camera Monitor to BUY!!! Most Recommended Camera Monitors


so here’s the video we’re gonna show you
some of the best camera monitors that are available on the market as always
check out the description for more information
además designed the all-in-one monitor recorder category and now redefines it
with the Shogun inferno it is the mixture of the most advanced monitor
technologies it can record DCI and UHD 4k signals at up to 60 frames per second
and the atomos ninja inferno makes a great companion to cameras and
camcorders that output uncompressed video over HDMI the monitor itself
emphasizes 10-bit frc processing and atom HDR display technology that holds a
10 stop brightness range enabling you to see more carefully and monitor your log
gamma footage without having to see flat washed out looking images or use LUT to
shrink the dynamic range in color space the monitor grants built-in presets to
accurately translate popular log forms from Sony Canon Panasonic Arri red and
JVC cameras the settings only concerned viewing with recorded video remaining
unaltered this the small HD 5:02 on-camera monitor highlights a full HD
1920 by 1080 LCD with a pixel density higher than the iPhone 6 the 5:02 is the
sharpest five-inch camera top monitor in the world as far as color and contrast
are concerned the 5-inch display is again best-in-class
the five zero twos LCD can provide 85% NTSC color gamut higher than the rec.709
color standard challenging the color abilities of LED technology the 502
makes signal concocting simple using a custom-built processing engine the
5-inch field monitor will accept almost any resolution and frame rate from
virtually any camera building upon the 3d lut functionality of the DP 7 – pro
series the 5 0 2 will allow shooters to utilize an even higher resolution more
detailed 3d lut in real time the use of a tool with this much processing power
is magnified when you consider its shallow profile and compact size
the size of the 502 hits a sweet spot for tack sharp 1080p viewing while
remaining remarkably space efficient its size weight and resolution make it a
beautiful option for DSLR shooters looking to attach it straight to the
camera while it’s sturdy mounting options and durability an able the
display to be used on a gimbal or shoulder rig without adding bulk with
its full bright color accurate 19 inch LCD screen and 4k recording skills the
Adamo sumo can be performed to improve professional video workflows in both
production and post-production on set the sumos HDR abilities allow
cinematographers to realize more of a cinema cameras dynamic field when
shooting in a log or raw Arrangements all the built-in monitoring devices are
also congenial with the HDR rendering updating to contain the broader dynamic
range additionally the sumo can record
incoming DCI and UHD 4k video in numerous flavors of Apple ProRes or a
vyd DNX HR to master caddy to storage media with supported cameras pro res raw
/ raw HQ recording is also probable for more versatility in post-production back
in the studio the HDR abilities of the sumo are again useful allowing editors
and colorists to see deeper into the obtained image information the 10 bit
image processing coupled with the 10 bit FRC capable LCD panel shows subtle
degrees in recorded footage whether playing back straight from recording
media or a connected computer the display itself can be calibrated to
preserve color accuracy over the sumos lifetime convergent designs odyssey 7q + is a
monitor recorder that presents all of the characteristics and functionality of
the odyssey 7q but adds support for 4k recording over hdmi it highlights a
seven point seven inch 1280 by 800 o LED touchscreen display with a 34 hundred to
1 contrast ratio true blacks and professional monitoring highlights such
as waveform histogram vectorscope anamorphic d squeeze and 3d lut support
out of the box the odyssey 7q plus can record up to DCI 4k 4 0 9 6 by 2160 and
ultra HD 3 8 4 0 by 2160 in the compressed Apple ProRes 422 HQ format or
up to 2 k / 1080p using the uncompressed DPX file format the titan extract option
which enables you to build multiple HD windows from a single 4k source is
included additionally it supports numerous raw recording options for Arri
Canon Sony and POV cameras which are open for purchase or rental from
convergent designs website the odyssey 7q plus has two 3g – SDI inputs 6g SDI
adaptability requires firmware v 2016.01.25 3g – SDI connectors which can
be selected as either inputs or outputs through menu selection it also has a 4k
capable HDMI input and an HDMI output that carries up to 1080p 34 – 2 most of
the inputs and outputs are on the bottom of the monitor with quarter inch – 20
mounting wires on the sides dual SSD slots are presented for recording video
– convergent design premium 2.5 inch SSDs which grant high speeds reliability
and power loss protection on the top of our list is the Atomos
ninja flame 7-inch the atomos ninja flame is a 7 inch 1920 by 1200 on-camera
recordkeeping monitor blending 4k recording with a 10-bit frc panel that
supports local display of HDR log footage as well as high brightness
viewing of rec.709 footage it employs an HDMI input to support write output
signals at resolutions up to UHD 4k recording it to 2.5 inch SSDs using
10-bit 4 to 2 Apple ProRes an David DN xhr codecs the 10 bit panel and atom HDR
display technology back a brightness area of over 10 stops enabling you to
more precisely monitor your log gamma footage without having to view flat
washed out looking images or use a LUT to reduce the dynamic range and color
space the monitor allows built-in presets to correctly translate popular
log formats from Sony Canon Panasonic Arri red and JVC cameras the settings
only change viewing with recorded video continuing unaltered in addition to HDR
monitoring the monitor also contributes a high bright mode for traditional
rec.709 monitoring this mode takes benefit of the full 1500 CD / M squared
brightness to provide more confident tracking in bright outdoor environments
even without a Sun hood in HDR mode use of an introduced snap-on
Sun hood is needed as displaying a full brightness range reduces the overall
brightness of the monitor